The Real Porky Philips author and illustrator, A & C Black, 1994
A Thousand Ships starring Jane Lapotaire, Ann Mitchell and Michael Legge, directed by Peter Kavanagh, Radio 4, 2002
Coming Down the Mountain starring Jonathon Lewis and Jonathon Robertson, directed by Polly Thomas, Radio 4, 2004, Bronze Award for Drama in the Sony Radio Academy Awards
Microsoap children’s series for BBC & Disney, Starring Rebecca Hunter, Paul Terry, Suzanne Burden, Jeff Rawle and Ivan Kaye, directed by Juliet May and others, 1998-2001, BAFTA for Best Children’s Drama 1999, Royal Television Society Award for Best Children’s Drama 1999, Prix Jeunesse 2000
The Kill a part of Natural Histories: Short Stories Radio 4, 2016, currently unavailable.
The Bunker in Eight Ghosts; the English Heritage Book of New Ghost Stories, September Publishing, 2017
St Brides Bay in Two Stories together with A Mark on the Wall by Virginia Woolf, Hogarth Press, 2017, a centenary re-publication of the first book produced by the Hogarth Press.
The Curious Incident of the Dog in the Night-Time Jonathan Cape,
2003, Guardian Children’s Fiction Prize 2003, Booktrust Teenage Prize 2003, Spoken Word Audiobook of the Year 2003, Whitbread Book of the Year Award 2004, Southbank Show Literature Award 2004, Commonwealth Writers Prize Best First Book Award 2004, LA Times First Fiction Award, WH Smith Children’s Book of the Year 2004, Waterstones Literary Fiction Award 2004, Silver Kiss (Holland) 2004, Yalsa Alex Award (USA) 2004, Grand Prix, Sankei Children’s Book Awards (Japan) 2004, McKitterick Prize 2004, Premio Serono (Italy) 2004, Premio Boccaccio (Italy) 2004, Waverton Good Read Award 2004.
The novel was adapted for the stage by Simon Stephens and produced by the National Theatre in 2012, directed by Marianne Elliott with movement by Frantic Assembly, starring Luke Treadaway, Nicola Walker, Paul Ritter, Una Stubbs and Niamh Cusack. It transferred to the Apollo (and then the Gielgud) in the west End the following year and won seven Olivier Awards in 2013; a Broadway production was staged at the Ethel Barrymore Theatre in 2014 and won the 2015 Tony Award for Best Play. Subsequently there have been two UK tours, a US tour and an International Tour. The production returned to the Piccadilly Theatre in the West End in 2018. There have been many other productions around the world, all using the same adaptation.
A Spot of Bother Jonathan Cape, 2006. “At fifty-seven, George is settling down to a comfortable retirement, building a shed in his garden, reading historical novels, listening to a bit of light jazz. Then Katie, his tempestuous daughter, announces that she is getting remarried, to Ray. Her family is not pleased - as her brother Jamie observes, Ray has 'strangler's hands'. Katie can't decide if she loves Ray, or loves the way he cares for her son Jacob, and her mother Jean is a bit put out by the way the wedding planning gets in the way of her affair with one of her husband's former colleagues. And the tidy and pleasant life Jamie has created crumbles when he fails to invite his lover, Tony, to the dreaded nuptials. Unnoticed in the uproar, George discovers a sinister lesion on his hip, and quietly begins to lose his mind.” Shortlisted for the Costa Novel of the Year Award, 2006
The Red House Jonathan Cape, 2012. “After his mother's death, Richard, a newly remarried hospital consultant, decides to build bridges with his estranged sister, inviting Angela and her family for a week in a rented house on the Welsh border. Four adults and four children, a single family and all of them strangers. Seven days of shared meals, log fires, card games and wet walks. But in the quiet and stillness of the valley, ghosts begin to rise up. The parents Richard thought he had. The parents Angela thought she had. Past and present lovers. Friends, enemies, victims, saviours. And watching over all of them from high on the dark hill, Karen, Angela's stillborn daughter. The Red House is about the extraordinariness of the ordinary, weaving the words and thoughts of the eight characters together with those fainter, stranger voices - of books and letters and music, of the dead who once inhabited these rooms, of the ageing house itself and the landscape in which it sits.”